How Africa's iconic hop-on hop-off operator brought the commentary for its buses, boats and tram into HOHO Studio - and went from months-long studio processes to same-day updates.
City Sightseeing South Africa runs one of the most varied sightseeing operations anywhere in the world. In Cape Town, its open-top buses climb from the V&A Waterfront past Table Mountain's cableway and along the Atlantic seaboard; in Johannesburg, the Red Route threads through the city's history. Add boat cruises in the V&A harbour and canals, a sunset tour, the Constantia wine-route and the Franschhoek tram, and you have seven distinct sightseeing routes - each needing accurate, engaging onboard commentary.
Serving a truly international mix of visitors, the fleet runs commentary in 15 languages - not just the European staples, but South African English, Afrikaans and Zulu, languages that most audio vendors simply can't produce well.
The city icons: V&A Waterfront, Table Mountain cableway, Camps Bay.
The peninsula loop - including the Constantia wine-route extension.
Golden hour along the Atlantic seaboard and up Signal Hill.
Joburg's landmarks and history on the city's hop-on hop-off circuit.
Two water-borne tours - HOHO Studio's first deployment on boats.
Vineyard-to-vineyard through the Franschhoek valley.
The scripts themselves weren't the problem. City Sightseeing South Africa's storytelling consistently earns glowing guest reviews - commentary written to be remembered, not recited.
"We believe that folks remember romance and stories, not facts."Claus Tworeck, City Sightseeing South Africa
The problem was everything around the scripts. Updating a single track - a new stop, a changed attraction, a diversion - traditionally meant re-booking voice artists in up to 15 languages, or leaving the change unmade. With different voice artists in every language, even a small edit rippled into a major production exercise. The operation needed a way to add, update and change tracks as and when needed - without touching the beloved core commentary, and without a recording studio.
Before signing anything, Claus set a test: take one real track from the Cape Town Red Route and produce it in English, Spanish, German, French, Italian, Mandarin - and Afrikaans. They were created, and all seven samples delivered, the same day.
His one-word verdict on the samples: "Impressive!"
Off-the-shelf AI voices don't speak Zulu convincingly, and a generic "African accent" isn't Afrikaans. So the voices were built together: iWander generated candidates, City Sightseeing South Africa listened, and native speakers had the final say.
The Afrikaans female voice went through multiple rounds until it sounded properly Afrikaans rather than too Dutch - two languages that look alike on paper but sound nothing alike to a local ear. For Zulu, when native-speaker feedback flagged the first voices, iWander researched alternative AI models, integrated a new provider, and produced samples that passed the native-speaker test.
Today the fleet speaks with bespoke South African English narrators, a validated Afrikaans pair, and Zulu voices approved by the people who speak it.
Different voice artists in every language - male and female - to keep the ear fresh.
City Sightseeing London - already working with iWander - introduces the South African operation.
Seven language samples delivered within hours of the ask, new South African and Afrikaans voices included. The partnership is agreed within a few days, covering all seven tour products and 91 tour-language combinations.
iWander loads all City Sightseeing South Africa's past and present scripts into the platform, builds a consolidated single source of truth, and runs an AI-assisted review - flagging inconsistencies, missing tracks and unresolved left/right cues, while leaving the operator's storytelling voice untouched.
Afrikaans and Zulu voices validated by native speakers. Two live training sessions later, City Sightseeing South Africa has full access to its own HOHO Studio.
Claus writes new tracks for the Johannesburg Red Route, amends the Cape Town Red Route, translates everything into all languages, generates the audio and exports it straight into the onboard system - no studio, no agency, no waiting.
I am genuinely impressed by how quickly you and the team have listened to the feedback and turned it into practical improvements. It is quite refreshing to work with a team that is prepared to make changes on the fly rather than simply defending the status quo. The enhancements you've made are exactly the sort of practical tools that make a real difference in day-to-day operations.
HOHO Studio is built with operators, not just for them. Requests from the City Sightseeing South Africa team became product features - often the same day - and every operator on the platform benefits.
"Is there a search function where I type the track number and it jumps to the track?" Asked in the morning, live that afternoon.
Export a subset of tracks, choose the MP3 bitrate to match the onboard hardware, and adjust volume per language - designed around a real operational need.
Change a narrator and update every affected track at once, with clear flags for outdated audio and voice mismatches.
Write a track once, translate it, and generate the audio across every language from a single click - the workflow the whole rollout now runs on.
New tracks written, translated into 15 languages, voiced and exported - by one operator, in-house, without a recording studio.
A changed stop or new attraction becomes live multilingual audio the same day, exported at the exact bitrate the onboard system needs.
One platform holds the commentary for the entire fleet - including HOHO Studio's first deployments on water and rails.
Whatever your routes, vehicles or languages - see how HOHO Studio puts your commentary back in your hands.